



The Royal Theater was once the center of African American art and entertainment in Baltimore. During a time when African Americans were prohibited from entering (white only) mainstream theaters, the Royal provided a venue for them to enjoy shows performed by some of the most successful African American entertainers in the world. Greats like Duke Ellington and Billy Holiday graced the halls of the Royal on a weekly basis.
The club opened its door is 1922 and fortunately experienced an immense amount of success. Many Baltimore residents today remember it as Baltimore’s version of “Broadway”, or as fellow fans of that era would call it, a major leg of the “Chitlin’ Circuit”. The Royal had several sisters in the Chitlin Circuit, which were the Cotton Club, Apollo Theater, Uptown Theatre, Ritz Theatre, Hippodrome, and Victory Grill. It is important to mention that even though African Americans were always the headline performers, whites loved to frequent these nightspots as well. Which is something that needs to be considered when studying race relations, because when places like the Royal and surrounding theaters or clubs were jamming, almost everyone black and white partied together, participated, and had a great time.
Another important part of the Royal’s legacy often forgotten is its role in the black business community. I say this because its status as a major entertainment draw bought patrons from all over the city and its surrounding areas. The rise of racial integration led to the destruction of the Royal in 1971, but its memories will out live its short existence. These stories are explained best in some of the articles I found in African American room at the Pratt.